![]() Let’s review the synopsis: the world as we conceive it is not an objective reality, but a computer simulation that machines control and operate. The blend of technology and religious themes puts forward two perspectives that sparkled my curiosity: the first one, of a metaphysical nature, pushes the audience to question the nature of reality whereas the second aims to question the relationship between technology and the human species. This will hopefully allow me to decipher the religious themes contained in the movie, which includes awakening and knowledge as salutary undertakings in the face of ignorance in an illusory world, as well as the presence of a redemptive figure that embodies such undertaking. I will then propose a second reading, axed on Buddhism. For the sake of my study, I will limit myself to a summary description of the narrative and articulate my analysis around a set of motifs found in orthodox Christianity and Gnostic theology. The various interpretations confound each other, yet never fail to describe the complexity of the movie and the genius of The Wachowsksi. While some literary critics proposed a socio-theoretical perspective on the phenomenon of alienation, others saw in it a profound criticism of the industrial development and its harmful consequences, that is, the subordination of humanity to submission. The creative genius is attested on several levels, as shown by the plethora of interpretations that have been published, all in an attempt to unravel the nested mysteries of the movie’s storytelling qualities. The complexity of the religious and philosophical motifs found in this movie therefore requires several readings. The movie is considered to be a science fiction classic, and became a worldwide success right after its release, thanks to the quality of the narration, its visual effects, as well as the depth of the themes discussed in the movie. This includes ideas and concepts from Christianity, Gnostic theology, Buddhism, and Hinduism. ![]() The movie belongs to the “cyberpunk” genre, and incorporates many cinematographic, literary, philosophical, religious, and mythological references. The film depicts a dystopian world in which reality is a computer simulation, the Matrix, created by machines to control the human population. The Matrix is a science fiction movie released in 1999, written and directed by The Wachowskis. There is no need to introduce the movie to the reader, given its success and the broad range of studies and articles that were published once the movie released. In an attempt to decipher the meaning of contemporary movies and their relationship to archaic religious symbology, I will discuss here the movie The Matrix, made by the Wachowskis. ![]()
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